The acclaimed film director **Živko Nikolić** has encountered significant challenges in his life following the release of his notable work, **U ime naroda**. After achieving recognition in the film industry, his personal circumstances deteriorated, leading to struggles with basic necessities and financial instability.
In a recent discussion, **Savo Radulović**, the director of **Jovana Lukina**, shared insights into the creative processes and challenges faced during filming. The production took place in the rugged terrain near the **Ostrog Monastery** in **Montenegro**, a location that presented both breathtaking visuals and substantial obstacles. Radulović explained how the team had to adapt to the natural environment, stating, “We had to paint the trees and leaves black to create the desired atmosphere,” highlighting the extent of their commitment to the film’s aesthetic.
Radulović praised **Živko**’s expertise as a director of photography, referring to him as “one of the best in the country.” He noted that **Živko** had a unique talent for manipulating light, transforming scenes and bringing a distinct beauty to his subjects. This skill made him a sought-after collaborator among directors who recognized his ability to elevate their projects.
Despite the artistic triumphs, **Živko**’s later works, including **Jovana Lukina**, faced challenges in gaining acceptance from audiences and authorities. Radulović speculated that the film’s themes may have been controversial to the ruling powers at the time, leading to its underappreciation and limited exposure.
The film **U ime naroda** was shot in **Nikšić**, specifically in the **Buda Tomović** neighborhood, a location often described as a “horror settlement.” Radulović reflected on the community’s support during filming, noting that despite their hardships, the locals were incredibly helpful. He remarked, “The poorer the people, the better they were to us,” emphasizing the warmth and generosity of the residents.
Following the completion of **U ime naroda**, **Živko** faced a stark decline in his prospects. He struggled to find stable work and often sold his possessions to survive. This hardship was compounded by a lack of support from both **Montenegro** and **Serbia**, where he resided. Radulović lamented that **Živko**, an artist dedicated to his craft, never negotiated for fair compensation, often accepting whatever was offered to him.
Reflecting on **Živko**’s legacy, Radulović noted that despite the difficulties he encountered, his contributions to film remain significant. The director’s ability to capture the essence of his subjects and convey deep emotions through his work has left a lasting impact on the industry.
The discussion also touched upon the book **Dani od snova** by **Momir Matović**, which chronicles the historical context of notable figures in **Yugoslav** and **Montenegrin** cinema, including **Živko Nikolić**. The book provides a vital perspective on the challenges faced by filmmakers in navigating the political landscape of their time.
In conclusion, while **Živko Nikolić** achieved great artistic success, his post-film life has been marked by struggle and hardship. His story serves as a poignant reminder of the often harsh realities faced by artists, even after critical acclaim.
