Kesha has publicly criticized the White House for using her song “Blow” in a TikTok video that she claims incites violence and threatens war. The video, which features footage of a military ship being struck by a missile, was uploaded in February 2026. Kesha’s reaction came on March 3, 2026, when she took to social media to express her outrage over the use of her music in such a context.
In her post on X, Kesha stated, “It’s come to my attention that The White House has used one of my songs on TikTok to incite violence and threaten war. Trying to make light of war is disgusting and inhumane.” She emphasized her disapproval, asserting that she does not support her music being used to promote violence. Kesha urged her followers to “please love yourself and each other in times like this,” highlighting the importance of compassion in difficult times.
Kesha further decried the White House’s actions as a “blatant disregard for human life” and described the video as an attack on people’s “nervous systems.” This incident is not isolated; other musicians have also expressed discontent over the unauthorized use of their songs by political entities. For instance, in 2025, singer Sabrina Carpenter criticized the White House for featuring her song “Juno” in a video celebrating arrests made by U.S. Immigration and Customs Enforcement, calling the video “evil and disgusting.”
In a broader context, Kesha’s comments come amid a tumultuous political landscape in the United States. The controversial figure of former President Donald Trump continues to dominate headlines, particularly following the release of documents related to Jeffrey Epstein. Trump has been mentioned over 3,000 times in these files, although the Department of Justice (DOJ) clarified that inclusion does not imply any wrongdoing on his part. The DOJ also noted that some documents contained false claims against him.
Kesha’s condemnation of the White House reflects a growing trend among artists who are increasingly vocal about how their work is utilized in political messaging. As artists navigate the intersection of their creative output and political narratives, the debate over consent in music usage remains a pertinent issue.
The use of music in political contexts can evoke strong reactions, and Kesha’s response highlights the potential for conflict between artistic expression and governmental messaging. As this ongoing dialogue continues, it raises important questions about the responsibilities of artists, the ethical use of their work, and the impact of political imagery on public perception.
