The Grand Opera House in Belfast has captivated audiences with its latest production, a vibrant adaptation of Pinocchio. Blending slapstick humour with magical elements, the show has become a highlight of the festive season, running until January 11, 2024. Families are flocking to experience the joy and laughter that this beloved tale brings, making it a must-see event for theatre-goers.
As families settle into their seats, the stunning set design immediately captures attention. A grand frame structure adorned with intricately carved toys sets the scene, while the title “Pinocchio” hangs in bold, colourful letters. The show opens with a talented ensemble cast, dressed as toys, led by the enchanting Blue Faerie, played by Jayme-Lee Zanoncelli. Their performance introduces the central story of the puppet who yearns to be a real boy, all delivered with a distinct Belfast twist.
The creativity evident in this production is commendable. A giant book is brought to life on stage, immersing the audience in the narrative. The costumes deserve special recognition as well; the numerous outfit changes and the dazzling designs enhance the theatrical experience. The playful and extravagant costumes are essential for a successful pantomime, featuring sequins, feathers, and dramatic flair that keep the audience engaged.
One of the standout moments is when Pinocchio, portrayed by Adam C Booth, comically grows his nose each time he tells a lie. This visual gag, along with the cast’s energetic performances, showcases the extensive rehearsals that have gone into the production. The chemistry among the performers is palpable, with May McFettridge taking the stage for her 35th year, this time as May Geppetto, a toy shop owner who crafts her own son from wood. Her ability to connect with the audience is remarkable, often engaging in witty banter with those seated in the front rows.
The partnership between McFettridge and Paddy Jenkins, who plays Jiminy Cricket, is particularly delightful. Their comedic timing and playful interactions provide many laugh-out-loud moments, especially as they outwit the villain, The Great Stromboli, played by Jolene O’Hara. O’Hara’s performance as the antagonist is both captivating and entertaining, showcasing her talent over her fourth consecutive year in the role. Many attendees expressed a desire to hear more of her singing, highlighting her vocal abilities from previous performances.
The production is not solely aimed at younger audiences; it incorporates humour that resonates with adults as well. This dual appeal ensures that parents accompanying their children can also enjoy the performance thoroughly. One memorable highlight occurs when Pinocchio’s toy plane flies over the audience, leaving young viewers in awe and convinced of the magic unfolding before them.
Overall, the Grand Opera House’s rendition of Pinocchio offers a delightful evening filled with laughter and enchantment. It stands as a testament to the creativity and talent present in Belfast’s thriving theatre scene. Tickets for this engaging pantomime are highly sought after, and those who manage to secure them will surely leave with cherished memories of a truly magical performance.
