A record-breaking seven films from Scotland have been selected for the prestigious Sundance Film Festival, taking place in Park City, Utah, from January 22 to February 1, 2026. This notable achievement highlights the rising prominence of Scottish cinema on the international stage, with five of the films backed by Screen Scotland.
Among the selections, Louis Paxton’s film, The Incomer, has been designated as the opening night feature in the Next category. This segment is known for showcasing innovative, low-budget independent films that challenge conventional narratives. Set on a Scottish island, The Incomer follows two siblings determined to protect their home from “incomers.” Paxton expressed his enthusiasm, stating, “The Incomer has been a joy to bring to life alongside an immensely talented team. Developing my debut feature with the support of Screen Scotland has been a pleasure from start to finish.”
In another highlight, Olive Nwosu’s Lady, produced by Alex Polunin, will feature in the World Cinema Dramatic Competition. This film promises to capture audiences with its compelling storytelling.
Two documentaries also earned spots in the World Documentary Competition: Everybody to Kenmure Street, directed by Felipe Bustos Sierra and produced by Ciara Barry, and Birds of War, produced by Sonja Henrici. Everybody to Kenmure Street portrays a gripping account of a Home Office dawn raid that ignites a movement of civil resistance in Glasgow. Barry shared her thoughts, saying, “This film is deeply personal to us, as residents of the Glasgow community where the film is set… we are excited to share this film with international audiences and are proud to celebrate its message.”
Additionally, Mark Cousins’ The Story of Documentary will be included in the special screenings strand. This film explores the evolution of the documentary genre from its inception to modern times, showcasing the power of storytelling. Two other titles produced by Scotland-based talent—Filipiñana and Extra Geography—will also be represented at the festival.
Isabel Davis, executive director of Screen Scotland, remarked on the selection, stating, “Every one of these titles is entertaining, urgent and creatively uncompromising. It’s deeply rewarding to see Scotland’s creative achievements reflected in Sundance’s programme.” She emphasized that supporting original storytelling is a core component of Screen Scotland’s strategy, celebrating the diverse talent within Scotland’s screen sector.
The Scottish Government is equally optimistic about this development. Angus Robertson, the culture secretary, expressed his pleasure at the films’ selection, highlighting the breadth of creativity in Scotland. He noted, “The funding, facilities, talent, crew, and specialist support available in Scotland mean that an ever-increasing number of, hugely exciting and ambitious domestically originated projects… are able to take shape and succeed on the global stage.”
With these seven films making their mark at Sundance, Scotland’s cinematic landscape is set for increased recognition, showcasing a wealth of talent and innovative storytelling that resonates with audiences worldwide.
